My neighbors have eyes like binoculars.
They’re trained here. Mine are
telescopes. Aware, clear, my
vision never sleeps. My neighbors
are important. They hum like engines.
I hate outside. It’s the floor of
an amphitheater. And I’m the one
the lions want. The hanged man.
The con in the cage at the crossroads.
There’s an explanation.
Gum wrappers in the gutter, that
wrinkled envelope in the parking lot:
they fell from someone’s hand. Every
scrap is scanned. Somewhere a piece of
paper is scratched with answers.
I hate inside. It burns. My brain buzzes
like a hornet in a plastic cup. The water
in the shower is a gesture.
Meaning hemorrhages in the air. Shoes
knock at the stairs.
I stare out the window.
I know there’s a key.
My arms stab closets, coat pockets, garbage bags.
Some clue is here. It’s clear. I know.
My house is a bone pile. I look
for the trace teeth, some red smear.
Some expected bite of meat.
It’s clear. I see. I know. I hear.


3 responses so far ↓
giantshadows // May 20, 2008 at 2:00 am |
I really enjoyed reading this. Nice work.
Shell // May 23, 2008 at 10:25 am |
utterly stunning! I related intensely to this – it describes how I see the world too … those moments (so many of them) when “something” seems so full of meaning, when, if you could just zoom out, or maybe in, enough you could unravel everything and Know … but there’s revulsion there too … *sigh
Stanza 2 & 4 .. ohhh my, yep, that’s so how it is …
Very neat turns of language here and i adore the sort of CSI theme that strings disparity together … if that makes sense …
Jane Doe // May 25, 2008 at 9:37 am |
‘I hate outside. It’s the floor of
an amphitheater. And I’m the one
the lions want. The hanged man.
The con in the cage at the crossroads.’
I can so relate to those lines. I hate leaving my house, I feel so vulnerable. Wonderful writing! I’ll be back for more.